
Wicked (2024)
Wokeness
8/10
Agenda Driven
Ideological messaging drives key plot points and character arcs.
Audience
No audience score yet
No ratingsWhat earned the score
Systematic DEI Race-Swapping
The film race-swaps iconic roles: Elphaba (Cynthia Erivo, Black), Nessarose (Marissa Bode, wheelchair user), and Madame Morrible (Michelle Yeoh, Asian) — traditionally white, able-bodied characters — prioritizing identity checkboxes over fidelity to the beloved source material.
Green Skin as Racial Allegory
Elphaba's green skin functions as an explicit, heavy-handed visual metaphor for racial discrimination, with characters despising and rejecting her from birth solely based on skin color, turning a fantasy trait into a didactic racism lecture.
Animal Persecution as Oppression Allegory
Sentient Animals (including a Goat professor voiced by Peter Dinklage) are systematically caged, silenced, and stripped of rights by the Wizard's regime, serving as a blunt-force allegory for marginalized identity groups that overwhelms the fantasy narrative.
Injected LGBTQ+ Representation
The film adds queer elements absent from the stage musical: an effeminate male student flirts with another male student, and Fiyero is explicitly described as desired by both men and women, forcing modern sexual politics into a pre-existing story.
Normalized Gender Non-Conformity
Male students at Shiz University wear skirt-like uniforms and display effeminate mannerisms as a matter-of-course background detail, presenting gender non-conformity as an unremarkable norm rather than a character-driven choice.
Villain Reframed as Oppressed Activist
The narrative reframes the Wicked Witch of the West as a sympathetic political activist and victim of systemic oppression, posing 'Are people born wicked? Or do they have wickedness thrust upon them?' to justify rebellion through identity-based victimhood.
Fraudulent Male Oppressor vs Female Power
The Wizard (Jeff Goldblum) is exposed as a fraudulent male tyrant maintaining power through propaganda and minority persecution, while true moral agency and magical authority reside entirely with female characters (Elphaba, Morrible, Glinda).
Wickedness Reclaimed as Liberation
The climax centers on Elphaba embracing the 'Wicked Witch' label as defiant empowerment, reclaiming a slur and framing the collapse of traditional moral categories as progressive liberation against a corrupt system.
Details
In the land of Oz, ostracized and misunderstood green-skinned Elphaba is forced to share a room with the popular aristocrat Glinda at Shiz University, and the two's unlikely friendship is tested as they begin to fulfill their respective destinies as Glinda the Good and the Wicked Witch of the West.
- Starring
- Cynthia ErivoAriana GrandeMichelle YeohJonathan BaileyEthan Slater
- Director
- Jon M. Chu
- Writer
- L. Frank BaumWinnie HolzmanDana FoxStephen SchwartzGregory Maguire
- Genre
- DramaRomanceFantasy
- Release Date
- Oct 16, 2024
Parents Guide
Sex None
In the first song when the Mother has the surprise visitor, they dance suggestively.
Glinda wears a short nightgown during 'Popular,' showing a lot of leg, especially while dancing on the floor.
In "No One Mourns The Wicked", Melena Thropp, Elphaba's mother, dances seductively with another man after her husband leaves for the night. It is implied that she had an affair and slept with the other man.
A scene in the beginning showing a woman giving birth. Nothing explicit is seen, however, the woman screams and sighs.
Violence Mild
A character is shown to have a cut on their forehead. Minor blood.
Elphaba has telekinesis triggered by anger that she can't control, and occasionally this causes damage, such as breaking a window.
Some mild action fantasy violence.
Elphaba punches a few guys off of the hot air balloon along with Galinda pushing a guy off of the hot air balloon.
Profanity None
Elphaba tells another character to "Get stuffed!"
"Oh my God" is used once by Galinda.
Drugs None
Nurses drink alcohol.
Frightening Scenes Mild
Mild themes, fantasy violence, animal cruelty and innuendo.
Several mildly intense scenes.
Can be potentially viewed as a political allegory for devolving society and how the government mistreats individuals who appear different and demonize them. How individuals can be targeted, demeaned and dehumanized just for existing as they are.
The revolving bookcases in the dancing through life scene may make some viewers dizzy.
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